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4Columns, 2025

ECHO DELAY REVERB: American Art, Francophone Thought at the Palais de Tokyo traces how ideas associated with “French Theory”—from Barthes and Derrida to Foucault—have subtly shaped American art. Curated by Naomi Beckwith and collaborators, the exhibition shows how these concepts reverberated across studios and cultural spaces, appearing less as direct illustrations of theory and more as shifting echoes that artists absorbed, transformed, and set into motion.

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The New York Times, 2025

The reopening of the Studio Museum in Harlem, after seven years of construction, arrives with dazzling alumni and collection exhibitions. Among the highlights is a 40-image photographic work, Art Is…, by the late, great Lorraine O’Grady. The series places viewers along Adam Clayton Powell Jr. Boulevard during the 1983 African American Day Parade, inviting us to witness the neighborhood’s vibrancy through O’Grady’s incisive lens.

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My 1980s, Art Journal 2012

Artist feature, CAA Art Journal, Summer 2012 — Based on her lecture in conjunction with the exhibit This Will Have Been: Art, Love and Politics in the 1980s, the article puts several early works in historical context and explains O'Grady's reverse trajectory from "post-black" to "black."

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