Lorraine O'Grady Lorraine O'Grady Lorraine O'Grady
  • Home
  • About
    • BIOs
    • CVs
    • Audio-Video
    • Chronology
    • Lorraine O’Grady Trust
    • Lorraine O’Grady Obituary
    • News
  • Art
    • Art
    • Select Exhibitions
  • Writing
    • Primary Texts
    • Artist Statements
    • Articles
    • Letters and Lectures
  • Quotations
    • Quotes by Lorraine O’Grady
    • Quotes by Others
  • Press
    • Book & Catalogue Essays
    • Interviews
    • Journal Articles
    • Solo Reviews
    • Group Show Reviews
    • Handouts
  • Projects
    • Anohni: “Marrow,” starring O’Grady
  • Contact
  • Home
  • About
    • BIOs
    • CVs
    • Audio-Video
    • Chronology
    • Lorraine O’Grady Trust
    • Lorraine O’Grady Obituary
    • News
  • Art
    • Art
    • Select Exhibitions
  • Writing
    • Primary Texts
    • Artist Statements
    • Articles
    • Letters and Lectures
  • Quotations
    • Quotes by Lorraine O’Grady
    • Quotes by Others
  • Press
    • Book & Catalogue Essays
    • Interviews
    • Journal Articles
    • Solo Reviews
    • Group Show Reviews
    • Handouts
    • Press – Complete
  • Projects
    • Anohni: “Marrow,” starring O’Grady
  • Contact

cat o’nine tails

742

Observer, 2021

Anni Irish offers an overview of O’Grady’s art practice in consideration of her retrospective, Both/And, focusing on key conceptual stakes, such as the artist’s interest in language as form.

Wellesley College art institutions Miscegenated Family album Conceptualism School of Visual Arts Nefertiti/Devonia Evangeline Jamaica cat o’nine tails art-world racism both/and Caribbean retrospective performance art Brooklyn Museum interdisciplinary The Village Voice hybridity other media Rolling Stone the Black and White Show becoming an artist Announcement of a New Persona (Performances to Come!) Just Above Midtown erasure/invisibility 2021 Mlle Bourgeoise Noire Cutting Out The New York Times Cutting Out CONYT Art Is...
Read MoreDownload PDF

© 2026 Lorraine O'Grady | All rights reserved.