ECHO DELAY REVERB: American Art, Francophone Thought at the Palais de Tokyo traces how ideas associated with “French Theory”—from Barthes and Derrida to Foucault—have subtly shaped American art. Curated by Naomi Beckwith and collaborators, the exhibition shows how these concepts reverberated across studios and cultural spaces, appearing less as direct illustrations of theory and more as shifting echoes that artists absorbed, transformed, and set into motion.
M Le Magazine du Monde features Lorraine O’Grady in its “Recadrages” issue by Clément Ghys, celebrating her groundbreaking legacy. Honored with exhibitions at the Palais de Tokyo and Mariane Ibrahim Paris, O’Grady—known as “Mlle Bourgeoise Noire”—transformed art with her 1983 Harlem performance Art Is..., affirming Black visibility and cultural pride.
The Palais de Tokyo’s Joie collective – Apprendre à flamboyer ! celebrates joy as a form of resistance and solidarity. Featuring artists like Lorraine O’Grady and Thomas Hirschhorn, the exhibition merges art and activism. O’Grady’s 1983 performance Art Is...—framing Harlem paradegoers as art—embodies this empowering call for collective engagement.
Collective Joy – Learning Flamboyance! explores the popular cultures of gathering that shape how we experience and practice joy in everyday life. Bringing together French and international artists whose work engages public space—festive, social, political, musical, recreational, or utopian—the exhibition highlights collaborative and relational practices rooted in cultural rights and social justice.