Hyperallergic, 2018
Chase Quinn casts light on O’Grady’s performance personas in his review of the exhibition From Me to Them to Me Again. The writer considers the artist’s persona of Mlle Bourgeoise Noire to exemplify her career of fighting against art world racism and Western binarism at large.
the news Landscape (Western Hemisphere) race and politics Linda Goode Bryant Iowa Writers Workshop representation 2018 black women artists From Me to Them to Me Again western cultural hegemony Afro-Caribbean hybridity Cutting Out The New York Times Irish Just Above Midtown post-black Savannah College of Art and Design black avant-garde Egypt SCAD Mlle Bourgeoise Noire Cutting Out CONYT SCAD Museum Art Is... The New York Times Wellelsey College art-world racism segregation