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  • Home
  • About
    • BIOs
    • CVs
    • Audio-Video
    • Chronology
    • Lorraine O’Grady Trust
    • Lorraine O’Grady Obituary
    • News
  • Art
    • Art
    • Select Exhibitions
  • Writing
    • Primary Texts
    • Artist Statements
    • Articles
    • Letters and Lectures
  • Quotations
    • Quotes by Lorraine O’Grady
    • Quotes by Others
  • Press
    • Book & Catalogue Essays
    • Interviews
    • Journal Articles
    • Solo Reviews
    • Group Show Reviews
    • Handouts
    • Press – Complete
  • Projects
    • Anohni: “Marrow,” starring O’Grady
  • Contact

SCAD

845

Hyperallergic, 2018

Chase Quinn casts light on O’Grady’s performance personas in his review of the exhibition From Me to Them to Me Again. The writer considers the artist’s persona of Mlle Bourgeoise Noire to exemplify her career of fighting against art world racism and Western binarism at large.

Afro-Caribbean hybridity Cutting Out The New York Times Irish Just Above Midtown post-black Savannah College of Art and Design black avant-garde Egypt SCAD Mlle Bourgeoise Noire Cutting Out CONYT SCAD Museum Art Is... The New York Times Wellelsey College art-world racism segregation the news Landscape (Western Hemisphere) race and politics Linda Goode Bryant Iowa Writers Workshop representation 2018 black women artists From Me to Them to Me Again western cultural hegemony
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